Newspaper: The Sunday Express
Dated: Febuary 28,2010,
Article by:Anjali Mathai

ROOMSCAPE
Nikhil Chaganlal wishes visitors to escape into his paintings of interiors

Anjali Mathai

Nikhil Chaganlal, in his latest exhibition ‘Intimate Vistas of the Interior’, has wandered into a territory that not many artists before him have—portraits of the interior. “I want the viewer to escape into the paintings,” says the artist. “Feel the sea breeze on their faces, sip on the wine and listen to the music in the background.”
Glimpsing the rooms, with their cosy clutter and orgy of
untamed colours, it’s easy to do just that. Human presence is only obliquely hinted at by a dog lying curled on the hearth or a half-empty mug of coffee.
Chaganlal says he wanted to become an interior designer when he was young. But his fate, perhaps, was sealed in his childhood when he would take his mother’s lipstick and scribble endlessly on the walls. “My mother, fed up with my antics, would resort to tying up my hands,” laughs the 51-year-old. His brush with art began at an early age when his father, a Gujarati art dealer, would take him to Pundole and Chemould galleries where they would view the works of artists like M F Husain and Tyeb Mehta. “That was our favourite pastime instead of normal things like going to the movies,” reminisces Chaganlal wistfully.

At the age of 14, he won the Lalit Kala National Award for painting. It did not take long after that for the Alibaug-based painter to be branded as one of India’s most promising artists. In 2000, his works were sold at a Sotheby’s auction at an unheard-of price for a new artist. He counts among his collectors, bigwigs like Shah Rukh Khan, Sachin Tendulkar and Anil Ambani.
Painting interiors, according to the artist, is much more difficult that abstracts or portraits. “There’s a lot of conceptualising involved. It’s almost like preparing an
architect’s draft.”
Chaganlal describes the paintings as “living within a dream.” The reality doesn’t bear much resemblance to the idealised spaces that are his rooms. “I come from a broken home. My parents got divorced when I was 12. I was pretty much left to fend for myself.” He went through a difficult phase of drugs, alcohol and sex before finding refuge in painting.
“In 50 years, no one might remember me but my paintings will never go out of fashion,” says Chaganlal before quickly switching to a lighter tone. “And who knows, maybe some of the objects in the interiors, like laptops, will become antiques then and my works will become even more valuable.”

At Art Musings Gallery,
Kala Ghoda, till March 30